Eleanor Rigby

作曲 : John Lennon/Paul McCartney

Now, in fact on your, do you use vibrato on those, on those, um, chords?

We do

Just to produce it (It helps it)

You'd like it drier, would you?

Paul, what do you think of, where are you?

Paul, are you there?

Do you want them to use

Yes

Do you want them to use the chords without vibrato at all?

Do you want to hear it?

I can't hear you, what?

I think he means the chor-, I think you mean the chords after G

I mean, better leave it

Uh, listen to this, Paul, this is without vibrato on the, on the, um, on the rhythm bit, you know?

Three, four

G

B

Now, same as you were with, with vibrato

Three, four

Can you tell the difference?

Um, not much

Yes, there you are, you see, sounds the same

It sounded better without

Yeah, I thought it did actually

Sounds better without

Especially if we make it more marcato too

It's a slightly more

Let's do it without

So you only hear the vibrato when you've got anything to say

Okay

And even then unless it, unless it happens to be a long one, like for example you've obviously got to have vibrato on those bits

But even on the, uh, you know, your statements, Tony, for example, or the inner parts, \"ba-da-da-da-da-dum\" keep the vibrato fairly narrow, not too wide a vibrato

That's it, that's it

I took violin for a term, and it killed me

Deadly, isn't it?

Deadly noise, deadly

Right, shall we go on

[00:01.000] 作曲 : John Lennon/Paul McCartney

[00:03.15]Now, in fact on your, do you use vibrato on those, on those, um, chords?

[00:06.19]We do

[00:07.12]Just to produce it (It helps it)

[00:11.11]You'd like it drier, would you?

[00:14.32]Paul, what do you think of, where are you?

[00:15.59]Paul, are you there?

[00:17.16]Do you want them to use

[00:19.00]Yes

[00:19.40]Do you want them to use the chords without vibrato at all?

[00:22.22]Do you want to hear it?

[00:22.76]I can't hear you, what?

[00:23.73]I think he means the chor-, I think you mean the chords after G

[00:28.92]I mean, better leave it

[00:29.69]Uh, listen to this, Paul, this is without vibrato on the, on the, um, on the rhythm bit, you know?

[00:36.86]

[00:37.42]Three, four

[00:38.19]

[00:37.46]G

[00:38.63]B

[00:40.40]

[00:49.36]Now, same as you were with, with vibrato

[00:51.41]

[00:52.93]Three, four

[00:53.70]

[01:05.57]Can you tell the difference?

[01:06.93]

[01:07.60]Um, not much

[01:09.62]

[01:12.56]Yes, there you are, you see, sounds the same

[01:14.94]It sounded better without

[01:17.12]Yeah, I thought it did actually

[01:18.75]Sounds better without

[01:20.42]

[01:20.84]Especially if we make it more marcato too

[01:23.82]It's a slightly more [?]

[01:25.88]

[01:27.38]Let's do it without

[01:28.15]

[01:28.42]So you only hear the vibrato when you've got anything to say [?]

[01:31.36]Okay

[01:31.85]

[01:32.68]And even then unless it, unless it happens to be a long one, like for example you've obviously got to have vibrato on those [?] bits

[01:39.58]

[01:40.10]But even on the, uh, you know, your statements, Tony, for example, or the inner parts, \"ba-da-da-da-da-dum\" keep the vibrato fairly narrow, not too wide a vibrato

[01:52.28]

[01:54.21]That's it, that's it

[01:55.95]

[02:04.44]I took violin for a term, and it killed me

[02:07.36]Deadly, isn't it?

[02:08.17]Deadly noise, deadly

[02:10.33]

[02:11.19]Right, shall we go on

[02:11.71]